Photo by Darja Vorontsova, Dreamstime.com |
Scottish whisky had surpassed hard ale as the
drink of choice in the better public houses. It was also the preferred offering served to clients who visited Daisy Kirkcaldy’s drawing room. Her frequent foreign guests had taken to calling it Scotch.
Unfortunately, her present visitor would have
considered a Highland single malt inelegant and sinful. According to the stories
she had been told, even Knox had not been quite as rigid as the woman perched on the edge of her settee.
She was entertaining her cousin Elizabeth Melville
who was touted as Scotland’s first published female poet by a Calvinist
readership which refused to acknowledge
Lady Mary Maitland’s lesbian love
poem XLIX. Mary Maitland had
surreptitiously hidden her poem among the less controversial works in her poet laureate father Sir Richard Maitland’s Quattro or it never would have been published. The only hint she
was its author was her scribbling in the margin notes. Her family’s efforts to
suppress it came too late.
Daisy’s cousin Elizabeth’s verses suffered no need of censorship by the kirk. Her latest
poetry would be quoted from the pulpit
at Saint Giles by Parson Craig, and Elizabeth would treat it as her personal passport into heaven. That did not mean Daisy would bother reading it.
Dame Elizabeth
Melville was Daisy’s second cousin on
her father’s side --the oldest daughter of the man Daisy called Uncle Melville.
He was the youngest brother of the grandmother long dead before Daisy was born,
the redoubtable Janet Melville, Lady
Grange, who had been the last hostess to
entertain King James V, when he stopped at Halyards on his way to his hunting lodge in
Falkland where he went to die.
Most of what Daisy knew of her family history she
had heard from Uncle Melville. She loved
the old man fiercely but she could not
say as much for his daughter. Even when
they were children, Elizabeth had treated Daisy with disdain because of
her bastardy, as if it had been her
personal choice. Her unannounced visit that
afternoon was as surprising as a visitation from the dying Elizabeth of England would have
been. It also was far less welcome. Daisy had twice met the English queen and had
been more at ease in the presence of
Gloriana than she was under Elizabeth Melville’s appraising stare.
“I must say, Marguerite, considering all of your
handicaps, you have made out rather well for yourself.”
Daisy, who rarely answered to the French version
of her Christian name, recognized her cousin’s comment as a mean-spirited
reference to the circumstances of her birth, made even more exasperating
because
it had been disguised as a compliment coming from a woman who did not know her
well enough to call her by the name used by her friends. It only irritated
Daisy all the more. She had been in the
middle of a project when Elizabeth arrived and was anxious to get back to it.
Darja Vorontsova, Dreamstime |
For that reason, she did
not bother responding to Elizabeth’s slight. The sooner the woman said her piece, the
sooner Daisy would be rid of her. She had a good idea of why Elizabeth had come knocking at her door.
“But Cousin
Elizabeth, I am not all that exceptional. There are many widow women in this
part of Scotland who have learned tae fend for themselves.”
Daisy knew her widowhood was not the handicap to
which Elizabeth had alluded but she had no intention of inviting the woman to elaborate. She was pleased when
her crisp response shut her cousin’s
maw. She had no intention of apologizing for her mother’s common origins and her own bastardy or sharing a bed with Will Hepburn before they
married. She had suffered through that
diatribe before. And that was not the
sum of it. More than one of her business acquaintances in Canongate had run to
her to tattle tales of her supercilious
cousin’s slights, but rarely had they
been so prettily packaged. Obviously Elizabeth was attempting to soften her up
before coming the point and had no idea of how insulting she had been.
Daisy was prepared to overlook the stiff-necked
woman’s disapproval because she, not Elizabeth, held the upper hand. The only reason why the Elizabeth Melvilles
of Scotland came calling on Canongate’s notorious wadwife was to borrow money.
Daisy refilled the cups.
“You should have a charwoman to do that,”
Elizabeth remarked.
“When I am
unable tae pour ale intae a drinking vessel, Elizabeth, I’ll stop entertaining my relatives and take tae my bed.”
The awkward silence which followed suited Daisy
just fine. She wished her cousin would
get to the point of her visit and leave her to her endeavors in the gallery
where her half-brother Gilbert Cockie ran his shop.
“I have written a new poem,” Elizabeth proclaimed
as if she were announcing the recovery of the Stone of Destiny from the English
or the Second Coming of Christ. Daisy
had no interest whatsoever in religious poetry, and did not bother to feign
astonishment.
She spared the courtesy of a nod and reached for a slice
of Irish cheddar.
Then she
sat back and nibbled, waiting for the pitch she knew was coming.
“Mister Charteris wishes to publish it.”
“How lovely, Elizabeth,” Daisy said sweetly.
“He also plans to have it translated into English,
and a proper translator does not work for a petty fee. Naturally, he would like
me to help bear the costs of printing. ”
“Naturally.”
Now the pig was out of the poke and Daisy saw no
reason to chase it around the parlor.
“And ye are here because ye would like me tae
underwrite yer project-- How much do ya wish to borrow?”
Elizabeth choked on her biscuit and it took her a few seconds to recover.
“I was thinking more in terms of a sponsorship,
Marguerite.”
Daisy produced her most credible sigh.
“I think the word which alludes you, Elizabeth, is
gift, ” she managed to say without
sounding too put out.
Now she understood why Uncle Melville had exited with such alacrity. Elizabeth had wanted the money but she had no
intention of repaying it. .
“If I were tae do so, every poet in Scotland woulds
be knockin’ at ma door. But since we are
cousins of the second degree, I’ll be waivin’ the usual collateral, and lowerin’ the rate to
seven percent a’ whate’er you choose tae borrow, all out ‘a the love I hold in
ma heart for Uncle Melville.”
For him, not
ye, ye offensive twit.
She hoped Elizabeth could read her mind.
Daisy wondered how long it would take Cousin
Elizabeth to close her mouth. When she finally spoke, she was obviously
taken aback, but not enough to refuse the offer. All of the other moneylenders were charging
their parents and their children ten percent.
“It is
called Ane Godlie Dream. I am dedicating it to Mister Knox. Shall I have Mister Charteris set aside a
copy?”
Daisy thanked her politely. Any poem dedicated to John Knox would be
unlikely to hold her interest, but there was no sense provoking Elizabeth.
She could put it on display when her brother Gilbert’s Presbyterian
friends came to meetings in the gallery.
She bit her
tongue to keep it from wagging on the topic of
the Reformer least it prompt her
overly pious kinswoman to spiel a sermon
on the seven deadly sins. Elizabeth had them memorized.
She had personified each with examples drawn from
Edinburgh’s new merchant class. She insisted Greed had been modeled on the late wadwife Janet Fockart, but Daisy
suspected Elizabeth had used her
own bastard cousin as her model. God’s
Elbow, but she was anxious to see her cousin’s skirts rustling out the door so
she could get back to work.
“Faither says the Episcopalians will hate it,” Elizabeth
continued, as if it would enhance her poem’s value.
“Mayhap ye should exercise discretion and forego
dedicating it to Knox. In spite of the
behavior of his disciples, he is quite
dead and unless he resurrects, he will never know the difference. Besides, if
what I am hearing is true, this is not a good time to be offending those who
follow the Episcopal model. If the rumors which reach my ears serve me, we may
all be reading from the English common prayer book soon.”
Thankfully Daisy’s reference to Knox and religion
were enough to get Elizabeth back on her feet and headed for the door. When she
had cleared the stoop, Daisy quickly closed the door and latched it. She emptied
her mug of ale into a flower vase and filled it up with
whisky from the Meldrum stills. She carried the cup with her and headed
to the gallery to finished
carving the wax for Queen Anna’s last brooch. The thought of her cousin’s
retreating rump improved her mood.Coming in winter 2014-2015, God Willing (photo by Darja Vorontsova, Drreamstime.com.) |
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